Church on Sunday mornings, clubs on Saturday nights. The new Nord C2 Organ plays both places just right.
Clavia has developed digitally modeled vintage organ models for over a decade, taking each new product version one step closer to perfection. With the introduction of the Nord C2, we raise the performance bar even a bit further with the addition of a baroque pipe organ section - this is the organ for others to compare against.
Latest OS

Nord C2 Organ - v1.32
Get it here

 
Chris Martirano C2 demos

B3 Ballad
Percussion using slow decay, volume swell, warm overdrive, subtle sparse use of chorus 1 on lower manual, light stage reverb.

B3 Funk Me
Slight overdrive, C3 chorus, chorus on lower manual, EQ, Room reverb, ample use of rotary.

B3 Grunge Proger
Change drawbars in real-time, extreme overdrive, Leslie Ramp Slow, heavy click, use of chorus 3 setting during solo through end, light stage reverb.

Farfisa JC Bend Me
Change presets in real-time, JC amp, medium overdrive, slight delay, add vibrato, hall reverb.

Vox JC Door Knob
Change presets in real-time, JC amp, light overdrive, add vibrato, medium stage reverb.

Vox Twin Big Bully
Twin amp, EQ, slight overdrive, short delay, stage reverb.

Pipe Organ Bach French Suite
Multiple combinations, bass pedals coupled to lower manual on flutes, hall reverb.

Pipe Organ Bach Prelude
Multiple stop changes, lower manual coupled to upper on occasion, light tremolo on occasion, bass pedals coupled to lower manual on occasion, slight delay, hall reverb.

Pipe Organ Purcell Trumpet tune
Multiple stop changes, lower manual coupled to upper on occasion, light tremolo on occasion, bass pedals coupled to lower manual on occasion, slight delay, hall reverb.

All demos performed by Christian Martirano on a Nord C2 Combo Organ and optional PK27, 27 note foot pedal board.

 
Sound demos

B3 tonewheel
A clip that starts out with moderate Drive and finishes with a more dramatic Drive setting.

Pipe organ
3 progressions - the first on the Swell manual, starting with the Rohrflöte 8 stop, adding additional stops as we go along. Progression 2 is played on the Great manual, starting with the Gedackt 8 stop and adding stops one by one. Progression 3 also adds stops, using the bass pedals as well.

Transistor organ
A Farfisa medley that starts in a light circus style, travels through the dirty distorted 70´s and eventually ends up in a hotel lobby near you.

More examples further down.

The settings used...
...in the Nord C2 Combo Organ (with OS version 1.2) were default settings with the following exceptions:
Percussion Fast and Slow Decay: long
Percussion Soft Level: high
Tonewheel mode: Vintage 3
Key Click Level: low
Rotary Model: A (the new C2 model based on a 145 unit)
Stage Soft reverb and moderate Drive (typically a setting of 2)

The pipe organ used default settings with Hall Soft reverb

The pipe organ examples were performed by Johannes Landgren and the transistor organ examples were performed by Åke Danielson.
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Pipe organ

The Nord C2 is equipped with a beautiful baroque pipe organ. It has a total of 21 stops distributed across the Swell (9 stops) manual, the Great (9 stops) manual and the bass section (3 stops).

 
3rd gen. B3 modeling

The B3 modeling in the C2 has reached new heights of excellence. The individual levels of the 91 modeled tonewheels and their impact on the output of each other when used together have been carefully tweaked. The C2 also includes a dirty tonewheel leakage model that hisses and spits in idle mode.

 
Enhanced click

The essential key clicks and key release bursts have been modeled using brand new techniques. The click level can be adjusted and the key-release component has been specifically modeled to maximize the authenticity of the tonewheel organ sound.

 
Keyboard action

The keyboard has a firm action to provide you with the rock solid feel of an original tonewheel instrument. An ultra fast response time comes with that.

 
Monitor input

Just plug in your mp3 or CD player to the C2 to be able to play along, rehearse or jam with previously recorded music without the need of an external mixer or sound system. The signal that is present at this input will be monitored through the C2’s headphone output.

 
Flexible output routing

The C2 treats the main left and right outputs as one group, separated from the Leslie 11-pin and High Level outputs. This provides total flexibility in the routing of the organ models.

 
Drawbar preview

This function allows you to dial in a new sound while still playing without any changes being heard. When you are ready, the new setting can be instantly activated.

 
Easy-to-use manager

The Nord Sound Manager is an easy-to-use tool that allows you to arrange and make backups of the programs.
These operations are done by simple drag and drop operations or from toolbar- or menu activated actions in the application. This application is available for free to Nord C2 owners, and is compatible with Windows XP, Windows Vista and Mac OSX.

 
Portable

The C2 Combo Organ is lightweight and portable, yet sturdy enough to cope with the rigors of the touring life. The total weight of this massive power box is only 15,5 kg (34 lb).

 
The Nord C2 Combo Organ includes B3 tonewheel organ, a Vox* Continental and a Farfisa* and a beautiful baroque pipe organ. This makes the C2 an extremely versatile instrument, providing not only rock organ players a new palette of sounds, but also the perfect instrument to use in churches, concert and congregation halls or any other venue where a high quality pipe organ instrument is paramount.
Click to enlarge

The Pipe Organ

From the golden age of organ building we have carefully chosen a baroque organ with a devastatingly beautiful sound and wide range of expression for the C2 pipe organ part. Using cutting edge sampling technique, no efforts have been spared in producing the richest and most varied sound palette for the pipe organ player.

The C2 pipe organ is built upon two basic types of organ pipes; flue pipes and reed pipes. The flue pipes have a softer timbre and the reed pipes a more nasal tone quality. For each keyboard division the player can choose from different sets of pipes, stops, to produce different timbres. The C2´s setup of stops make up a well-balanced blend of tonal qualities capable of expressing the most dramatic music to conveying the subtlest of organ pieces.

Prelude B minor/Pastoral F maj
Two excerpts from JS Bach: Prelude in B minor followed by Pastorale in f major, the later piece played on the Swell Manual with Spitzflöte 4.

Chorale
Melody played on the Great manual with the Principal 8 and Trumpet 8 stops.

Moto Ostinato/Suite Gothique
An excerpt from Moto Ostinato by Petr Ebens followed by a part of Suite Gothique: Prière à Notre-Dame by L. Boëllmann

Stops and Couplers

In the pipe organ each manual has its own sound; the Great division being the part of the organ with the majestic sound, whereas the Swell has a more mellow tonal quality. The Couplers are used to activate combinations of different stops from both manuals, so that pressing keys on one manual also connects stops from the other manual or pedal, making them sound as well. The Pedal division has three bass stops, which the user can choose to play from the lower manual, by attaching the Nord Pedal Keys 27 (accessory), or by attaching a 30-note classic digital organ pedal (optional).

Disposition

    Swell (Manual II)
    Fugara 8
    Rohrflöte 8
    Principal 4
    Spitzflöte 4
    Nasat 3
    Flöte 2
    Vox Celeste
    Scharf II-III
    Oboe 8
    Great (Manual I)
    Principal 8
    Gamba 8
    Gedackt 8
    Octava 4
    Rohrflöte 4
    Qvinta 3
    Octava 2
    Mixtur III-IV
    Trumpet 8

    Pedal
    Subbas 16
    Fagot 16
    Gedackt 8
    Couplers
    PED/GR. Low
    SW 16/GR
    SW/GR
    Swell 16
    Swell 4
    SW/PED
    GR/PED


The disposition has the fundamental tonal character of a baroque organ. The total number of stops is 21; 9 stops for every manual and 3 pedal stops (of which one is a combined Subbas 16 and Fagot 16). In addition to the three unison couplers usually found in two manual organs, the C2 Combo Organ also features three octave couplers and a special coupler that adds the Pedal to the leftmost note played on the Great manual.

Swell pedal and tremulant

One of the crucial ingredients for creating a vivid sound is the swell pedal. In the C2 Combo Organ this functions exactly as in the real-life models, giving the player intimate control over volume and dynamics of the swell manual. Another indispensable aid to make the pipe organ sound even a bit more vibrant is the tremulant. This is a function that basically gives small and very rapid variations in volume, thereby causing the sound to "tremulate". The C2 provides two speeds, each with three variable depths.

Praeludium C maj/Canzona C maj
Two pieces of Buxtehude, the first mainly played with the feet, using the Pedal Keys 27.

My Funny Valentine
An unorthodox version of a classic song.

Pastoral
Old Pastoral Hymn from Dalarna in Sweden

It´s not only about the music, it´s also about the player

So, not only does the C2 Combo Organ provide an extremely well balanced set of pipes, stops and couplers, but has also kept the setup close to reality for the pipe organ player to easily find his way around. Controls are exactly where you will expect to find them, and in no time you will discover that this portable and compact instrument does the whole work that the organ in the town church has done. But is so much easier to carry along.

The B3 model

We have made digital models of tonewheel organs for more than a decade and the C2 Combo Organ is equipped with our third generation tonewheel model.

Not only have we analyzed the signals from each of the 91 spinning discs inside several original instruments, we have also paid years of attention to each and everyone of the intricate details that makes the characteristics of the actual sound in a vintage organ. How do the tonewheels interact with each other, what does the crosstalk and leakage in the original designs mean to the sound and what happens when you use the instrument to the limits of its ability? We know this, and we have made sure that the C2 tonewheel model responds in a manner with what we think is hands down the best performance organ on the market.

Struttin´
A full cardiovascular exercise, using both hands and feet.

Synth Bass
This clip uses the synth bass emulation, with a longer decay and a bit of pluck as well.

Stopped Rotary
This demonstrates the sound of a stopped rotary, which speeds up during the very last notes.

The virtual circuitry in our B3 model reacts not only to the settings on the panel but also during the real time performance. The C2 Combo Organ will faithfully reproduce the important foldback and energy robbing characteristics; the latter will produce the gentle compression effect that makes those lovely smears absolutely wonderful. There are 4 tonewheel modes that allows you to switch from a clean, factory spec’d instrument to a worn and battered workhorse with some 40 years worth of touring.

It’s all about the performance

The individual tonewheel levels are controlled with our digital drawbars that are just as fast and ergonomic to set up as their physical counterparts. This modern design provides you with the ability to store your favorite settings, to be instantly recalled and edited in real time during a performance. You also get the unique opportunity to dial in a new setting with the digital drawbars while playing, without the change taking effect until you say so.

Get your fingers on the waterfall type keyboard and you will not only hear, but also feel the difference. An ultra fast trigger-to-sound response time in the C2 Combo Organ offers a superior performance compared with any other hardware or software products, just as the originals. We have modeled the crucial key click and key release bursts from the mechanical busbar design with its close to 1200 switches. The actual keys themselves have a firm mechanical action to provide you with the rock solid feel of an original vintage instrument.

You have direct access to every important function on the panel. We have a strong belief in that a performance is not only about what you play, but also how you use an instrument.

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Vibrato, chorus and percussion

Other essential mechanical and electrical components in the original instrument like the scanner that provides the vibrato and chorus with their deep impact on the sound, and the components and behavior of the percussion are of course present in the C2 Combo Organ. The vibrato and chorus with the rotating scanner and its analog circuitry are carefully modeled to be as alive as the tonewheels.

Live Drawbars
An example of realtime control of the drawbar settings using the drawbar buttons.

Percussion Love
All you B3 percussion lovers out there, enjoy!

Rotary Comparisons
Two clips that begin with a phrase using the rotary model A, followed by the same phrase but with the rotary model B. Rotary A is modeled on a 145 unit, rotary B is the acclaimed original Nord rotary model.

Everything in the percussion including the monophonic behavior, filter, distortion, and envelope characteristics has been carefully and faithfully replicated. You can adjust some of the percussion functions to be able to set the sound to suit your needs and we even give you the option to keep the 9th drawbar or not, when the percussion is turned on.

Vox and Farfisa

The C2 Combo Organ includes accurate models of the two most popular transistor organs of the 1960s, offering you that massive savage sound created by their 12-top oscillator frequency-divider designs. With the C2, you get the same dynamic behavior and unique response as in the original instruments.

The Farfisa* Compact Deluxe, considered by many to be the mother of transistor organs, involves routing matrixes and complex filter combinations that offer a tailored sound with massive energy and high-end. The Vox* Continental's brute design brings you a more hollow tone, but still with a very intense character.

As with the tonewheel organ, both transistor organs have their own unique, irreplaceable personalities. Combine them with any of the C2 Combo Organ's speaker simulations, add some distortion, adjust EQ and they will definitely light your fire.

3rd set of drawbars

A dual manual organ would not be complete without the ability to play bass notes on a pedal board. The C2 Combo Organ includes two additional bass register drawbars with selectable timbre from vintage tonewheels, pipe organ bass stops or a synth bass, modeled after a famous vintage add-on unit.

The bass can be controlled with any MIDI-equipped bass pedal board connected to the dedicated Bass Pedal MIDI input, or by splitting the lower manual.

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Rotary

The C2’s rotary speaker simulation features a true life-like experience. It incorporates the acoustic variations that occur as a physical rotating speaker spreads the sound around in a room, providing the full experience of moving the air around. The rotary speed can be controlled with a foot switch, from the panel or by using a half-moon switch (accessory).

The rotary simulation in the C2 is our best one yet. We mic’ed up several original cabinets with different sets of treble- and bass rotors and spent lots of time analyzing their audio responses. This painstaking effort gave us the means to be able to include a brand new rotary model in the C2 Combo Organ , which is available together with our previous rotary that so many users have said so many nice things about.

Even though our rotary simulations are nothing less than amazing, we are however the first to acknowledge that the C2’'s best friend in the pursuit of sonic excellence is an external rotary cabinet. Connect the C2 Combo Organ to a quality cabinet with the standard 11-pin Leslie* connector and use the Half Moon switch or the C2 panel buttons to control the rotary speed. The Leslie* interface on the C2 uses a high voltage output which is vital to experience the true soul of a screaming, or for that matter, a whispering organ. This high level output is also available on a ¼" jack on the C2 back panel.

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Effects

The 3-band equalizer along with three types of speaker simulations and a powerful overdrive offers you total control of your sound.

Add a feedback-delay with tap-tempo functionality, and several types of reverberation and you truly have an all-in-one effect section with stunning sound right out of the box. This will tailor your sounds for any occasion.

Flexible output routing

With so many organ types at your disposal, it is vital to be able to route these to appropriate amplifier- and sound systems. The C2 Combo Organ is equipped with a stereo output pair (L and R on 1/4" jacks) and a set of high level outputs (a 1/4" jack and a 11-pin Leslie* connector). This provides you with the flexibility to e.g. route the tonewheel to a rotary speaker and the pipe organ to a PA. It is also possible to use the tonewheel in a rotary and a PA with rotary simulation at the same time, or to route the transistor models to an amplifier.

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Additional connections

A swell pedal is an essential tool for expressiveness with any organ and the C2 is of course capable of using any good quality expression pedal. The rotary speed can be controlled from a foot switch or the half moon switch, and we have even added a sustain pedal input.

The MIDI connectors allow you to use the Nord C2 to control other units or to use it together with a computer or sequencer. Plug in your mp3 or CD player to the monitor input to be able to play along, rehearse or jam with previously recorded music without the need of an external mixer or sound system. The signal that is present at this input will be monitored through the C2’s headphone output.

On the road

Having three vintage organs and a baroque pipe organ in your studio is fun, but it's even better when you can easily carry them with you to a gig. That is why the C2 Combo Organ is lightweight and portable. With the optional gig bag, you can carry the massive power of these monster organs in one hand; weighing in at merely 15,5 kg (34 lb) you will save energy for your performance.

* Steinway, Wurlitzer, Hohner, Clavinet, Farfisa and Vox are trademarks of their respective owners and are not affiliated or associated with Clavia. These trademarks are mentioned here as a reference to a sound only. Leslie is mentioned to describe a connector standard.