4-octave Velocity and Aftertouch sensitive keyboard with Octave Shift functionality (+/- 2 octaves).
Keyboard Split (two sections). Modulation Wheel. Pitch Stick with no dead zone at zero crossing.
Chord Memory / Stack.
Keyboard Hold.
Sustain Pedal and Control Pedal input.
USER INTERFACE
2 x 16 character backlit LCD and 3-digit LED.
26 rotary encoder knobs with circular LED graphs for instant control.
4 regular knobs and 45 buttons.
Big Rotary Dial encoder for system editing, sound selection, MIDI functions etc.
ARPEGGIO
Master Clock / MIDI-synchable Arpeggiator with Sub Arpeggiator and Mask function.
VIBRATO
Global Vibrato that affects all voices in the sound. Controllable from Mod Wheel or Aftertouch.
GLIDE
Glide, Auto Glide. Polyphonic Glide (in Legato mode). Rate control.
VOICE MODE
Monophonic, Monophonic with Highest or Lowest Note Priority, Monophonic Legato, Monophonic Legato with Highest or Lowest Note Priority, Polyphonic Legato (with polyphonic Glide if you like)
UNISON
Adjustable stereo Unison with retained full polyphony. 5 detuned virtual voices per note (2 in the left channel, 2 in the right channel and 1 in the center)
MODULATION SECTION
LFO1 and LFO2, each featuring: Master Clock / MIDI-synchable LFO. 6 waveforms: Square, Triangle, Sawtooth, Random Step, Smooth Random, Special. 12 destinations. Free running / Hard-sync / Single Cycle and Mono modes. Rate and Amount controls. Separate LFOs for each voice.
MOD ENV: Attack / Decay or Attack / Release Envelope with Lin / Exp Attack. Envelope / Repeat modes. 12 destinations. Attack, Decay / Release and Amount controls. Separate Envelopes for each voice.
OSCILLATOR SECTION
OSC1 and OSC2 with six shapable waveforms each: Triangle, Sawtooth, Pulse, Sine, Noise and Dual Sine. 1 additional sync oscillator per oscillator group.
Dual Sine mode for 2 or 4 operator FM synthesis. Synchable Noise for formant type of sounds.
OSC1: Shape / Sync / DFM Amount control.
OSC2: Coarse Tuning / Modulator semitones,
Fine Tuning / Carrier partial, Shape / Sync / FM Amount and Keyboard Tracking controls.
Oscillator Modulation featuring Distortion, Linear FM, Differential FM, Filter FM, AM/RM, Distortion Modulation and Noise.
Oscillator Mix / Noise control.
AMPLIFIER SECTION
ADSR Envelope with Lin / Exp Attack. Level (Gain) controls.
FILTER SECTION
Single Filter Mode: Lowpass 6, 12 or 24 dB/Octave, Highpass 6, 12 or 24 dB/Octave, Bandpass 12 or 24 dB/Octave, Band reject 12 or 24 dB/Octave, Classic Lowpass 24 dB/Octave, Distorted Lowpass 12 or 24 dB/Octave. Frequency and Resonance controls.<7li>
Multi Filter Mode: HP-LP in series 12 dB/Octave, HP-LP in parallel 12 dB/Octave, LP-BP in parallel 12 and 6+6 dB/Octave, BP-BP in parallel 2 x (6+6) dB/Octave, Multi Peak, Multi Notch. 2 x Frequency and 1 Resonance controls.
ADSR Envelope with Lin / Exp Attack, Envelope Amount / Velocity, Positive / Invert. Keyboard Tracking and Oscillator Bypass controls.
MORPH GROUPS
Four separate Morph groups per sound. Up to 26 parameters can be assigned to each Morph Group. Control sources: Keyboard Velocity, Keyboard Range, Keyboard Aftertouch/Control Pedal, Mod Wheel.
MEMORY
Flash Memory (no backup battery required).
8 x 128 (1024) Programs and 2 x 128 (256) Performances and OS. SysEx Dumps via MIDI to and from a sequencer / computer.
MIDI
All knobs and buttons for sound editing send and receive MIDI Control Change Messages.
MIDI SysEx bulk dumps: single Program or complete Program Banks, single Performance or complete Performance Banks. MIDI Clock hard-sync of LFOs and Arpeggiator.